Muhammad Tufail

Both these movies have definitely a bigger number of qualities than shortcomings subsequently they both have the capability of winning the hearts of the watchers and winning huge in the cinematic world. They offer something totally not quite the same as one another however them two are engaging and great in their own specific manner. While Punjab NahiJaungi offers family dramatization with a cloudy touch, Na MaloomAfraad 2 is the sort of film you would appreciate viewing with companions. PNJ will give you appealing expressions and will make you chuckle and cry in the meantime. Na MaloomAfraad will make you snicker with tears moving down your face! In particular, Na MaloomAfraad 2 and Punjab NahiJaungi convey precisely what they guaranteed and maybe considerably more. Both these movies will do right by you of how far Pakistani movies have come throughout the years

The Direction and Cinematography Both these movies have been coordinated skillfully and the excellent cinematography makes them both a visual treat. While Punjab NahiJaungi wonderfully investigates the crude excellence of Punjab and has an Eastern flavor, Na MaloomAfraad has been shot in Cape Town, South Africa and has a progressively current feel to it. Nadeem Baig and Nabeel Qureshi once more have demonstrated that them two are extraordinary chiefs who dependably figure out how to interpret their thoughts flawlessly on screen. Both these movies are splendidly executed and the chiefs have utilized all the advanced innovation accessible further bolstering their advantage. Punjab NahiJaungi is certainly a victor in this office since it has a lot of melodies, every one of them are flawlessly formed, are unique in relation to each other and the manner in which they have been shot and arranged is great also. Na MaloomAfraad 2's tunes totally fit in the circumstances and...

PUNJAB NAHI JAUN GI (part 4) . Mehwish Hayat is easy as Amal. There are anyway times when UrwaHocane emerges more than Mehwish Hayat. SaleemMairaj, Ahmed Ali Butt, Naveed Shehzad Saba Hameed and Sohail Ahmed have likewise given remarkable exhibitions in the film. Na MaloomAfraad is a male-driven film thus the female characters have totally been consigned to the foundation. Punjab NahiJaungi then again centers similarly around the male and female leads. While Na MaloomAfraad 2 neglected to convey screen time evenhandedly among every one of the characters, Punjab NahiJaungi completes equity to every one of its characters by giving them sufficient screen time and enabling them to add to the story. There is a valid justification why UrwaHocane advanced PNJ; she unquestionably got a reasonable opportunity to feature her ability in Punjab NahinJaungi and was completely splendid as Durdana.

The Characters and The Performances The main characters of NMA2 are equivalent to they were in the prequel with a slight contrast in their class and appearances yet the general identities of these characters are the equivalent. While every one of these characters are charming, you don't shape a passionate bond with any of them since the film concentrates more on the occasions as opposed to investigating the characters. Fahad Mustafa, Mohsin Abbas Haider and Javaid Sheik have given strong exhibitions and despite the fact that the female leads don't have a major task to carry out in the story yet they have done finish equity to their separate characters. Punjab NahiJaungi then again has a solid male lead and even with every one of his defects FawadKhagga figures out how to take the show. Humayun Saeed's great execution and screen nearness compensates for the shortcomings in his character.

The Plots and The Dialogs The primary plots of both these movies are completely not quite the same as one another. While Punjab NahinJaungi banks intensely on feelings and investigates the elements of connections when individuals from two distinct universes meet up, Na MaloomAfraad 2 depends totally on silly occasions and circumstances to take the story forward and figures out how to engage the watchers without digging into the passionate component of the connection between the characters. Punjab NahiJaungi's discoursed have Khalil-ur-Rehman composed all over them! In the same way as other different contents composed by the essayist, these exchanges spin around the idea of adoration as seen by various characters in the story and a considerable lot of these discoursed likewise have an amusing component which also isn't without significance. Na MaloomAfraad 2's discoursed are for the most part fun and clever, implied for the regular man yet there are times when ...

This year out of the blue Pakistani movie producers gave the film goers two remarkable movies to look over. Punjab NahiJaungi and Na MaloomAfraad 2 both bragged a great cast and group and true to life involvement with two totally extraordinary flavors. The makers and the colleagues associated with making these movies made a special effort and endeavored to advance these movies. The challenge between these two movies was furious even before they were appeared in films and in the meantime it was extraordinary to see on-screen characters supporting one another. By the day's end, it truly looked like everybody included thought progressively about the accomplishment of the restoration of the Pakistani film industry instead of caring for their very own advantages, which has been the best part of watching the film business develop significantly in the course of the last few years.Here is a correlation of both the movies which will give the watchers a superior knowledge into what's...

The best character regarding introduction was The Ring Master. He was alarming and puzzling even to a grown-up like me. The film has four tracks, two of which are total hits. Inky Pinky Ponky and Donkey Raja are pleasant and appealing. The evidence is the a large number of perspectives achieved by these two tracks. One can venture to contrast Inky Pinky Ponky with Coco's Poco Loco melody as far as adorableness, funniness and charm (and that is stating something). All things considered, the motion picture is unadulterated, clean, family amusement. It is a sign of this that we went on a weekday evening to watch it, still the house was full. The motion picture likewise gives a message that a genuine ruler is the person who is picked by the general population and who realizes how to allot obligations to his kin dependent on their qualities and shortcomings.

You will discover the speaking to character(s) defended in their activities and great in their expectations. The motion picture is totally funny. Furthermore, in addition, it some way or another figures out how to speak to kids and grown-ups alike. A portion of the jokes and quips appear unexpectedly to make you laugh hysterically. Of the considerable number of characters, I observed Mangu and Shehzada to be the most clever. The incidental appearance of the side-character Panoti the zebra was funny as well (continue working in different motion pictures Panoti!). The parody is there for those finding for some hidden meaning and the jokes would make the youngsters pull for their darling characters. The best movement we had seen so distant from a Pakistani Studio was of Allahyaar and the Legend of Markhor. I would state that the Donkey King is a slight bit behind it as far as CGI yet it is certainly an incredible endeavor without anyone else. At the point when the film was decla...

Scarcely trusting his good fortune, he showers in the brilliance, overlooking the obligations accompanying the position of royalty and turns into a simple prey for the guile fox's injustice. The story begins at a quick pace yet to some degree hauls in the center. The peak, however, compensates for the lost appeal. I wish I could give six out of five in this classification. The motion picture came when the nation had recently experienced general races and was nearly across the nation by-races. The importance to the present undertakings is evident. Whatever the makers state, there is an uncanny similarity of the characters to the current (ahem) situation. Despite the fact that, we were upbeat to find that they have endeavored to influence an impartial ground for all the key players (to with the exception of maybe the fox and the Ring Master, well… . ponder who could that be… ). At any rate, whichever political gathering you may bolster,

We have the absolute best (also misjudged) performers in the subcontinent. Credit goes to the throwing executive to filter through these diamonds and match the best appropriate performers to their vivified partners. HinaDilpazeer as the craftiness fox named Ms. Fitna (and a couple of minor jobs), Afzal Khan as the dolt however aggressive Mangu, Ghulam Mohiuddin as the profound voiced Badshah Khan, Adil Hashmi as the burger ruler Shehzada Khan, Ismail Taara as the not really tolerant guide PehelawanChacha and the veteran on-screen character Irfan Khoosat as Jamhoora, all exceed expectations in their separate jobs. They even made utilization of Maani's slight stutter for the chameleon Rangeela. For me, the unsung legend was Shafaat Ali who given infrequent Easter-egg spoofs all through the motion picture adding a layer of joy to it. The story is to some degree basic, a story about growing up of a looked-downward on animal (believe it or not, a jackass) of the anecdotal Azaa...

Mah-e-NurHaider and Marhoom Ahmad Bilal are a charming and reviving shock stuck in an unfortunate situation makers figured out how to maintain a strategic distance from a thing number yet the film generally speaking has an advanced vibe to it. TeefaIn Trouble could have been undeniably increasingly amazing on the off chance that it was outwardly satisfying too. The film hauls at last like numerous other late movies. Additionally, I wish Pakistani movie producers would quit including constrained social messages in each film! TeefahIn Trouble is an engaging film however on the off chance that you are searching for a strong plot which doesn't make no sense and banalities then this isn't the motion picture for you. On the off chance that you need to watch an activity film which will likewise make you snicker then Teefa In Trouble film is an unquestionable requirement watch!

. The visual portrayal of the tunes also neglects to awe. The tunes have variety and they have been formed and sung wonderfully however the picturization misses the mark particularly when you contrast it with Punjab NahiJaungi and Balu Mahi. The generation house hasn't put a great deal in giving the film an all the more outwardly satisfying look. Additionally, Teefa's job is extremely desi however his general look is roused from Hollywood. Be that as it may, As an on-screen character and artist Ali Zafar has doubtlessly given this film everything. Javed Sheik is ending up being a standout amongst the most uncommon on-screen characters in movies who dependably leaves his stamp. Mehmood Aslam assumed his job eminently as well, his comic planning is amazing. Faisal Qureshi is a characteristic at doing satire in this manner it doesn't come as an unexpected that he fits consummately in the job given to him.

Maya Ali is found in a totally extraordinary symbol in the film, her ultra-present day look is not at all like the one she sports in shows or is seen in something else. There are a few scenes in which she looks extraordinarily pretty however there are additionally a great deal of scenes in which her make-up and by and large look isn't excessively amazing. Maya Ali is adorable and affable as the courageous Anya however she doesn't have a similar screen nearness which a considerable lot of the other Pakistani performers have on the extra large screen. The makers and essayists merit credit for giving this female hero a lot of screen time not at all like Na MaloomAfraad in which the whole spotlight was on the male leads. The activity scenes are splendidly coordinated and executed on screen, Ali Zafar really inspires and the camera work is sensational. The sentimental scenes anyway have done-to-death and fair composed all over them.

This piece of the film helped me to remember Balu Mahi in spite of the fact that the conditions were unique yet it certainly had a been-there-seen-that vibe to it. Like Punjab NahiJaungi, this is the account of an advanced young lady who winds up becoming hopelessly enamored with an exceptionally desi munda! The jokes have a Na MaloomAfraad and Actor In Law feel to them. The activity anyway is the best piece of the film and is something we haven't found in a Pakistani film yet; that is unquestionably a first! A portion of the jokes are diverting and they keep you engaged however there are likewise times when you require a break from the endless comic discoursed. Anya and Teefa's voyage is fun and occurring yet it isn't persuading and endearing. Ali Zafar is totally splendid as the activity saint who doesn't generally have swag however unquestionably has the moves. Lamentably, there is definitely no on-screen science between the main performers on account of which ...

TeefaIn Trouble is an activity, satire and sentimental film which centers principally around the primary hero Teefa, played by Ali Zafar, who is a Lahori hoodlum with battling abilities like that of a superhuman. While Balu Mahi commended the magnificence of Lahore, TeefahIn Trouble benefits as much as possible from "Butt" and "Sheik" jokes and can without much of a stretch be named as a blend of Punjab NahiJaungi, Balu Mahi and Na MaloomAfraad 2. At the point when Teefa's supervisor Butt Sahab, played perfectly by Mehmood Aslam, requests that he hijack his companion's girl Anya (Maya Ali) from Poland with the goal that he can get her wedded to his child, at that point that is when Teefa gets into inconvenience in a wide range of ways. Anya has a place with a rich family yet she isn't content with her life since she feels that her dad (Javed Sheik) gives more opportunity to his business and step mother than her. She goes out searching for experienc...